Bodies, embodiment, and the self in R. E. Katz' forthcoming debut novel, AND THEN THE GRAY HEAVEN.
Aiden Thomas' CEMETERY BOYS, validation, and confronting the unhealthy desire to prove one's gender identity, a review.
How naming something or saying something out loud is a powerful thing, and how that power can be used to create a found family in Ziggy Schutz' "twice-spent comet" from the anthology BEHIND THE SUN, ABOVE THE MOON, a review.
The difficulties of messy relationships, and how FINNA by Nino Cipri shows how to move forward after they end, a review.
The need for trans-inclusive cultural story representation and the way THE FOUR PROFOUND WEAVES by R. B. Lemberg starts to fill in that gap, a review.
“Fucked up and afraid--like a male.” (137), or the messy trans realities of WE BOTH LAUGHED IN PLEASURE: THE SELECTED DIARIES OF LOU SULLIVAN edited by Ellis Martin and Zach Ozma, a review.
The resonant comedy of Nino Cipri's "Ad Astra Per Aspera" in TRANSCENDENT 4 edited by Bogi Takács, a review.
The problem with binaries in Chelsey Furedi's ROCK AND RIOT, a review.
Parallels between magic and transness in Brooklyn Ray's DARKLING, a review.
Nuanced approaches to Good and Evil in Akwaeke Emezi's PET, a review.